![]() ![]() Subsequently covered by MGMT, it’s a charming, sprawling, stoned summer’s afternoon of a song, thick with harmonies and lyrics of a laid-back hippy-mystic bent. Rescued from obscurity by the soundtrack of Almost Famous, the title track of 1971’s Future Games demonstrates how Welch’s arrival shook Fleetwood Mac up. #Fleetwood mac everywhere fullPerhaps a more unsettling song in hindsight than it seemed at the time, the tune is beautiful, the arrangement almost ascetically stark and the lyrics full of dread: “I just wish I’d never been born.” 24. Mac’s original, increasingly troubled frontman Peter Green treats the listening public as a shoulder to cry on. Only Over You (1982)īy far the least revered album of the classic Buckingham/Nicks-era Mac, Mirage has something of the holding pattern about it – Tusk’s experimentation is gone, expensive-sounding soft-rock abounds – but it contains some real hidden gems, including McVie’s luscious, lovestruck, small-hours paean to her soon-to-be-ex, soon-to-be-late fiance Dennis Wilson. It feels live, as if someone pressed record during a rehearsal the mood is ominous, and it’s punctuated with frequent pregnant pauses. Santana’s slinky, conga-heavy cover version is more famous, but Fleetwood Mac’s first Top 40 hit is darker, more raw and exciting. But if you want evidence that the contemporary Mac aren’t a spent creative force, try Sad Angel – from 2013’s overlooked four-track Extended Play – a taut, catchy Buckingham rock song about his perennial subject: Nicks. Sad Angel (2013)įleetwood Mac remain a stadium-packing live act despite lineup changes, intra-band strife and not having released a great album since 1987. Tellingly still in their live set long after Lindsey Buckingham and Stevie Nicks joined, McVie’s beautiful Spare Me a Little of Your Love has a relaxed mood at odds with that album’s rockier inclinations. If you want to trace the roots of Fleetwood Mac the multimillion-selling pop-rock phenomenon, start with the LP Bare Trees. Stevie Nicks did not feature on the original recording but can be heard providing an additional bit of lead vocal in the aforementioned live recording.29. Visual evidence of this can be seen in the Tango in the Night video. ![]() On live performances of the song, McVie stands at the front of the stage playing maracas while a sidesman handles the keyboards. It rose to #15, this and the original charting in 1988 are to date Fleetwood Mac's last two top forty hits in their country of origin. The song was reissued as a digital single in 2013 after its use in a commercial for mobile phone company 3. Released as the fifth single from the album, Everywhere reached the Top 10 in several territories including #4 in the United Kingdom, McVie's home country and the band's highest chart position there outside of the top two, and #1 in Belgium, one of two Fleetwood Mac singles to achieve this feat along with Go Your Own Way. Its copyright date of 1986 suggests it may have been written and recorded before the majority of the album Everywhere is a song written by Christine McVie and recorded by her with Fleetwood Mac for their 1987 album Tango in the Night. ![]()
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